Arts & Opinion.com
Arts Culture Analysis
Vol. 24, No.5, 2026
 
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Editor
Robert J. Lewis
Senior Editor
Jason McDonald
Contributing Editors
Louis René Beres
David Solway
Nick Catalano
Don Dewey
Chris Barry
Howard Richler
Gary Olson
Jordan Adler
Andrew Hlavacek
Daniel Charchuk
Music Editor
Serge Gamache
Arts Editor
Lydia Schrufer
Graphics
Mady Bourdage
Photographer Jerry Prindle
Chantal Levesque
Webmaster
Emanuel Pordes

Past Contributors
Noam Chomsky
Mark Kingwell
Charles Tayler
Naomi Klein
Arundhati Roy
Evelyn Lau
Stephen Lewis
Robert Fisk
Margaret Somerville
Mona Eltahawy
Michael Moore
Julius Grey
Irshad Manji
Richard Rodriguez
Navi Pillay
Ernesto Zedillo
Pico Iyer
Edward Said
Jean Baudrillard
Bill Moyers
Barbara Ehrenreich
Leon Wieseltier
Nayan Chanda
Charles Lewis
John Lavery
Tariq Ali
Michael Albert
Rochelle Gurstein
Alex Waterhouse-Hayward


IT'S OK GUYS - YOU CAN CRY ME A RIVER

Robert J. Lewis: editor of Arts & Opinion

by
ROBERT J. LEWIS

____________________________________________________________________________________________________________

Robert J. Lewis has been editing  Arts & Opinion since 2002.  

Weeping is not the same thing as crying.
It takes your whole body to weep,
and when it's over,
you feel like you don't have any bones left to hold you up.
Sarah Ockler

To weep is to make less the depth of grief.
Shakespeare

 

Listen to an audio version of this essay:

 

It was a man, Arthur Hamilton, who in 1953 wrote the song "Cry Me a River," but it’s the women – women of all ages and from all cultures – who fill that river and make it flow. That is in part because of a cultural disposition that accepts women's tears more than men's, and reinforces the tyranny that "real men don't cry."

Crying is a plea to the within-earshot-world for help. Whether it be a child or a grieving adult, if the act of crying could be transcribed alphabetically, it would read: "help me, succour me, I can't do this alone." Most of the world's cultures and religions provide for community support during the grieving period.

Statistics confirm that over the course of a lifetime women cry more, and longer, than men – 30 to 64 times per year for women, but only 6 to 17 times per year for men -- and, there’s a growing body of evidence of a relationship between crying and the fact that women also live longer than men. But as women age, they cry less, while men cry more, attributable in part to the reduction in men’s testosterone levels. Does this gender shift in crying frequency force the conclusion that it's easier to live with a dried-out vagina than a petered-out penis?

Humans are the only species that cry. It is one of nature's devices to heal us when we are hurting. It's a complex physiological response to external stimuli accompanied by radical changes in body chemistry. At one level, tears clean and lubricate the eye throughout the day and fend off the effects of irritants like dust and wind. But emotional tears are significantly different from protective tears: emotional tears contain more hormones and proteins and other important markers. The tears and the convulsive shudders and spasms of crying caused by grief are nature's way of rebalancing the body's fragile and volatile chemistry, of steadying a soul unmoored by loss. Emotional tears are triggered by the limbic system; they contain higher levels of manganese, which is associated with increases in anxiety and despair. Crying is essential for regulating these levels. Tears drawn specifically from grief contain a concentration of enkephalin, an endorphin that is a natural painkiller.

If grieving men think that crying is a sign of weakness and that a stoic attitude is essential to maintaining their core identity, they are more at risk for mental health crises. According to S. Ryder research, up to 50% of men suppress crying during the grieving period. During grieving, men's immune systems are less performative than women's, so they are more likely to turn to drugs and alcohol to cope. Actuarial data on men aged 65-69 show a 70% increase in their chance of dying in the first year after the death of a spouse, versus 27% for women the same age. And a Danish study found that grieving men are three times more likely to commit suicide than women.

While the cause and effect remain tenuous, there is anecdotal evidence that men who cry live longer than men who don't. Biochemist William Frey proposes that emotional tears act as an excretory system that removes from the body stress-induced toxins such as cortisol and ACTH. If men suppress their tears, they may technically be "holding onto" the chemical markers of stress, which can lead to higher blood pressure, increased risk of cardiovascular disease and a less performative immune system.

Emotional crying, at its core, is a cry for help. Women are better able to help themselves than men because they find help in a variety of social networks, which are predictors of longer life spans. The socially isolated die youner. Crying and optimal health may be as intertwined as strands of DNA, you can't unravel one without damaging the other. That the unapologetic criers among us, the worldwide contingent of women, live significantly longer than men, should serve notice to men that they need not be embarrassed by their tears, nor give in to the dogma that real men don't cry.

As, thankfully, the elastic concept of manhood continues to evolve, men may one day come to appreciate that three to five extra years of life are well worth the crack in the armour through which their tears can escape. For tears of grief, after all, are but another expression of love.

Best said by George Orwell, from his essay "Reflections of Gandhi."

One is prepared in the end to be defeated and broken up by life, which is the inevitable price of fastening one's love upon other human individuals.

READER FEEDBACK

 

also by Robert J. Lewis

ORIGINAL ALT-CLASSICAL MUSIC FOR GUITAR

Cancel Culture
When Violence Had an Address

What Next for the Body

Where Is Heaven?

Listening to Music on its Own Terms Fallacy

Deconstructing Free Jazz

To Fly a Kite

In Praise of Imperfection

Presumptions of the Conqueror

Ranking the Religions
The Unacceptable Indulgence: PETHOOD
The Embedded
The Automobile as Extension of Home
The Outlaw
Exploring the Universe
How Free Are We?
Monadville
Meditation on Anger
To Birth a New Religion
Entertainment Addiction
Descent into Language Barbarism
Who Owns the Moon?
Why Do We Daydream
Argument & Disagreement
Smashing the God Particle
The Decline of Reading
In Praise of Useless Activities
When Sex Became Dirty
Blood Meridian: (McCarthy): An Appreciation
Trump & Authencity
Language, Aim & Fire
One Hand Clapping: The Zen Koan Hoax
Human Nature: King of the Hill
The Trouble with Darwin
The Life & Death of Anthony Bourdain
Denying Identity and Natural Law
The Cares versus the Care-nots
Elon Musk: Brilliant but Wrong
As the Corporation Feasts, the Earth Festers
Flirting & Consequences
Breaking Bonds
Oscar Wilde and the Birth of Cool
The Big
Deconstructing Skin Colour
To Party - Parting Ways with Consciousness
Comedy - Constant Craving
Choosing Gender
Becoming Our Opposites
Broken Feather's Last Stand
Abstract Art or Artifice II
Old People
Beware the Cherry-Picker
Once Were Animal
Islam is Smarter Than the West
Islam Divided by Two
Pedophiling Innocence
Grappling with Revenge
Hit Me With That Music
The Sinking of the Friendship
Om: The Great Escape
Actor on a Hot Tin Roof
Being & Self-Consciousness
Giacometti: A Line in the Wilderness
The Jazz Solo
Chat Rooms & Infidels
Music Fatigue
Understanding Rape
Have Idea Will Travel
Bikini Jihad
The Reader Feedback Manifesto
Caste the First Stone
Let's Get Cultured
Being & Baggage
Robert Mapplethorpe
1-800-Philosophy
The Eclectic Switch
Philosophical Time
What is Beauty?
In Defense of Heidegger
Hijackers, Hookers and Paradise Now
Death Wish 7 Billion
My Gypsy Wife Tonight
On the Origins of Love & Hate
Divine Right and the Unrevolted Masses
Cycle Hype or Genotype
The Genocide Gene

 

 

 

 

 

 

 

 

 

Arts & Opinion, a bi-monthly, is archived in the Library and Archives Canada.
ISSN 1718-2034

 

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