Arts & Opinion.com
Arts Culture Analysis
Vol. 24, No. 4, 2025
 
Current Issue
Back Issues
About
Podcasts

Submissions
Subscribe
Comments
Letters
Contact
Jobs
Ads
Links

Editor
Robert J. Lewis
Senior Editor
Jason McDonald
Contributing Editors
David Solway
Louis René Beres
Nick Catalano
Don Dewey
Chris Barry
Howard Richler
Gary Olson
Jordan Adler
Andrew Hlavacek
Daniel Charchuk
Music Editor
Serge Gamache
Arts Editor
Lydia Schrufer
Graphics
Mady Bourdage
Photographer Jerry Prindle
Chantal Levesque Denis Beaumont
Webmaster
Emanuel Pordes

Past Contributors
Noam Chomsky
Mark Kingwell
Charles Tayler
Naomi Klein
Bruce Bawer
Arundhati Roy
Evelyn Lau
Stephen Lewis
Robert Fisk
Margaret Somerville
Mona Eltahawy
Michael Moore
Julius Grey
Irshad Manji
Richard Rodriguez
Navi Pillay
Ernesto Zedillo
Pico Iyer
Edward Said
Jean Baudrillard
Bill Moyers
Barbara Ehrenreich
Leon Wieseltier
Nayan Chanda
Charles Lewis
John Lavery
Tariq Ali
Michael Albert
Rochelle Gurstein
Alex Waterhouse-Hayward

myths and conceits
MARKETING SHMARKETING

Liz Hodgson

by
LIZ HODGSON

________________________________________________________________

For more of Liz, visit her fashion/brenda website.

 

Years ago, when I first moved to Toronto, I found a trifold photocopied brochure for a hole-in-the-wall Indian takeaway and decided to give it a try. The order arrived promptly and, as I traded my cash for the food, the delivery guy paused to ask how I’d heard about his little operation.

Me: Why do you ask?

Delivery guy: Marketing.

Right. He was doing a bit of DIY consumer research on how to keep his one-man operation afloat. All I could picture was the sad brochure dropped through the mail slot. But halfway up the stairs, it hit me—the most brilliant marketing strategy ever conceived: make your butter chicken impossible to resist. Dial in on your 11 herbs and spices formula until the sauce is so silky, sweet and fiery that it weakens your knees.

They don’t call it l'esprit de l'escalier for nothing.

I thought back to that moment when news broke that Cracker Barrel had joined the ranks of Bud Light and Jaguar with a rebrand faceplant.

ICYMI: a massive deep-South restaurant chain, desperate to revive sagging sales, decided to ‘modernize.’ So it poured $700 million into transforming its look from granny’s attic clutter to something sleeker, brighter—almost Hamptons chic.

They simplified the logo.

And remodeled the interior.

You may have heard what happened next: Twitter conservabros melted down in real time. This wasn’t about light fixtures and a coat of ‘arctic whisper’ white—it was a Pearl Harbor–style sneak attack in the culture wars, a middle-of-the-night raid by marketing elites who would rather carry a Michael Kors bag than eat at a Cracker Barrel; a giant middle finger to grandma’s quilt-and-antique aesthetic, swapped out for Martha’s Vineyard shiplap by coastal, oatmilk-sipping brand consultants insisting cracker-barrel kitsch was tacky, outdated and unworthy.

This meme about sums up the social media fainting spell.

It all made for an entertaining distraction, but I feel like the brouhaha missed the mark.

Don’t get me wrong. I get why conservatives lost their minds: they’ve been feeling under siege. Andrew Breitbart’s mantra—politics is downstream from culture—is something they mutter in their sleep. But simplifying a logo isn’t really “woke.” As for the interior makeover—all that’s pure early-2000s HGTV reality show; the before-and-after transformation of a depressingly dismal space magically transforming into a Dwell magazine spread. Women—and Cracker Barrel’s CEO is a woman—LOVE declutter makeovers. They dream of covering every wood-panelled wall with a coat of white, which makes grown men cry.

As for what happened next—besides CBRL -0.23%? dropping 13 percent in one day—well, I’ll let Trump tell you.

Of all the takes out there—and there have been plenty—the best arrived today via Chris Bray’s excellent Substack, Tell Me How This Ends, and it ties back to my story about the Indian delivery guy.

In a post titled “People Who Can’t Understand a Biscuit,” he explains exactly why Cracker Barrel’s rebrand blew up like a glitter bomb at a gender reveal. For one, its homespun, mom-and-pop Americana theme is a lie—Vanguard and BlackRock are its two biggest shareholders—and its food is hot garbage. (He mentions customers spying microwaves through the kitchen’s saloon-style doors and rock-hard biscuits.)

Also, if you want real, actual country-style comfort food, try what Bray discovered during his infantry days at Fort Benning, when a local civic group rolled in with a pit smoker hitched to a truck and served up a dinner that was, in his words, ‘laughably good.’ Later, on weekend trips to places like Athens, Asheville, or Destin, Bray found the same magic in church parking lots and gas station edges—meat smoking in plain sight, the air so thick with hickory and pork fat you could smell it five minutes before you arrived.

The most tantalizing part of Cracker Barrel’s failure is how it threw millions at consultants, focus groups, design firms, ad buys, and renovations. Not to mention a preposterous Strategic Transformation Plan, which you can read about in this highly entertaining Fox Business behind-the-scenes exposé of boardroom infighting.

The Plan includes such goals as “enhancing the menu,” “evolving the store and guest experience,” “winning in digital and off-premise” and “elevating the employee experience.” (Marketing types are always up for elevating things). It also includes a 16-slide PowerPoint deck that makes for entertaining reading.

You can almost imagine how a boardroom full of branding experts received this with enthusiasm. “Wow! SmartLess! Yes! Our favourite podcast!” Everyone basks in a warm glow of self-congratulation. Then, like an Asch conformity experiment, one lone dissenter timidly raises a hand. “Uh… I don’t think our typical customer has ever heard of SmartLess,” he whispers, only to be drowned out by cheers and an orgy of high-fives.

Here’s what Chris Bray would have advised Cracker Barrel.

My first thoughts would all be about cooking, and the way customers experienced it. Throw the microwaves away, knock down a wall and open up the kitchen, park a smoker grill next to the street. Show the cooking, marrying up the dining room and the kitchen. Make the parking lot smell like smoke and meat. As people walk up to the front door, do they see and smell that good food is waiting for them inside?

That’s airtight marketing advice—and it’s free, unlike eyewateringly expensive PowerPoint sorcery and armies of executives ‘refining and evolving the brand across all touchpoints.’ Much less than the $700 million Cracker Barrel paid for a bunch of jiggery-pokery—spin, fluff and lies—only to end up exactly where it started.

 

READER FEEDBACK

 

 

 

Arts & Opinion, a bi-monthly, is archived in the Library and Archives Canada.
ISSN 1718-2034

 

 
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
MEGABLAST PODCAST with JASON McDONALD
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
SPECIAL PROMOTION: ads@artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
Logo approved by www.artsandopinion.com
SUPPORT THE ARTS @ Logo approved by www.artsandopinion.com

Bahamas Relief Fund

Valid HTML 4.01!
Privacy Statement Contact Info
Copyright 2002 Robert J. Lewis